Historic real estate advertising is one of those rabbit holes I tumble happily into while researching (usually researching other topics entirely). In 1923, a handsome brochure was published in Lexington, Kentucky, announcing the development of new subdivision known as Castlewood. The lots were part of what had been the Loudoun estate, a farm anchored by an extraordinary Gothic Revival house designed by A.J. Davis.
And since the transition from farmland to “developed” land is a conversation I have often with my oldest child (you can never start too early to think about conservation and preservation), I began musing about the farm that once formed the northern boundary of Lexington, and the street that took its name from the estate.
The brochure did not show any new houses – none had been built. But the slim, 12-page volume contained several images of existing nearby houses – all large and lovely. I was intrigued to learn that one of the pictured houses was built for the one of the former occupants of Loudoun House – Annie Clay Goodloe Leonard.
Loudoun House was built between 1850-1852 for Francis Key Hunt, but in 1884 the estate was purchased by Colonel William Cassius Goodloe, an ambassador to Belgium. The Goodloe family would live at Loudoun until 1921, when it was sold to the man who would sell much of the land off for development.
Annie Clay was the second oldest child of eight, and didn’t grow up at Loudoun House. Her four younger siblings did – the youngest was only five years old when their father died in 1889 at the age of 47. Following his death, his widow sold off 40 acres of the “front yard” and those parcels became building sites along Loudon Avenue (spelled entirely differently than the estate).
On June 30, 1891, in a small ceremony at Loudoun House, Annie Clay married Andrew G. Leonard. Her groom was “in horses” (it is Kentucky, after all) and served as a racing official. The introduction of the electric streetcar system made Loudon Avenue, only recently opened, the place to live. And after all, it was the former front yard of Annie Clay’s family home.
In July 1895, Mr. and Mrs. Leonard and their two children, Mary and Frederick, were living in the house built for them on Loudon Avenue. Their new brick home was the height of fashion, with an irregular footprint, Richardsonian Romanesque touches, a tower, a lovely arched window on the façade, and was within walking distance of her widowed mother and younger siblings.
By 1900 , the Leonard family had moved to Gratz Park and resided in another late 19th century home on North Mill Street. The handsome house on Loudon Avenue became the home of Andrew J. Riley and family. Riley was described in 1916 as a “retired grocer and capitalist. ”
In February 1920, Annie Clay’s mother, Mary Elizabeth Mann Goodloe, died at Loudoun House. By May, the house and farm – 95 acres total – was on the market.
In December 1921, Judge J. F. Bailey of Paintsville, Kentucky, purchased the property. A newspaper account of the sale put the selling price for the house and land at $90,000.00 – equivalent to around $1.3 million today.
Obviously, Loudoun did not remain a stock farm and its “virgin soil” would go onto sprout new homes – bungalows, Tudor Revivals, and charming Colonial Revival houses to meet the growing demand for housing in Lexington.
Judge Bailey did not develop the land himself, and so the the promoters of the land deal included photographs of the large trees and park-like setting, and the many large and stately homes from the late 19th century lining Loudon Avenue.
At the time the Leonard house was featured in the Castlewood brochure, it still retained the original graceful and arched portico over the entry door, and interestingly, ivy creeps up a corner of the house, much as it does today. The current porch spanning the façade was likely added in the 1930s.
When the subdivision of Loudoun was announced in the spring of 1923, it was accompanied by a pledge to save as many as possible of the 450 oak trees on the estate. I can only imagine how gorgeous the setting would have been at that time.
By 1932, the city of Lexington had purchased 32 acres from Judge Baily to create a new city park. (Bailey sold the acreage for only $5,000 less than what he paid for the entire parcel in 1921.) The Castlewood neighborhood was taking shape.
Today, the remaining small parcel of land from the Loudoun Estate is a gem of greenspace on the north side of Lexington. The historic house still stands and is home to the Lexington Art League. I fear the pledge to save all 450 magnetics old oak trees was nothing more than hot air, but many venerable trees do still grace the spot.
It’s a common story, of progression from farm to neighborhood, but I do wonder what Annie Clay thought about seeing her former home and its fields transformed in such a manner. She would have been alive to see bungalows sprout along new streets, and to witness the streetcars leaving Loudon Avenue, and the rise of the automobile on more and bigger streets in Lexington. I think the transition to park was one of the best outcomes possible, and one that provided a small sense of context and history in a rapidly changing landscape.
Super WOW!! Fascinating! And why greatest history is local history! Keep jumping down those rabbit holes!!
Hi Janie – I loved this story, and have always thought it was fascinating how this development came to be. I was thinking you might do a follow-up that discusses the redlining / racism that often accompanied developments like this. When this development was platted, a deed restriction was recorded on 234 Castlewood (and I suspect all of the properties) that reads as follows:
“For a period of thirty years from this date no part of the property conveyed shall be sold or leased to any negro or to any organization or association of negroes, nor shall any negro be permitted to occupy said property, provided that this stipulation shall not forbid any owners or lessees from having their negro servants remain or reside on the premises.” Deed Book 225, page 97, paragraph (e).
I knew someone who lived in this house a few years ago, and he had heard “rumors” that it had been deed restricted, so I went digging at the clerk’s office and found this a few years ago. I think it’s important to not only know the history of the things and people who made them, but also who was not allowed, who was excluded, and how that shaped the cultural perception of the place, what it looked like, and how it evolved from that starting point. As an architect, I’ve had a brusque education in Lexington with how you cannot build things and places separate and apart from the people who lived (or didn’t live) there, and this exclusion brings histories like those laid out in Richard Rothstein’s “The Color of Law” home for for me for places like Lexington. I know that we, as people not excluded from a place like Castlewood, see a lot of beauty in those places and structures, but I find myself thinking of those who might see something else in those bricks and stones and trees, and reminding myself that that is our charge to carry forward and learn from.
I can remember as an architectural technology student of color at then LTI her in Lexington,going to see a house being built from the ground up on Turkey Foot her in Lexington.This was an upscale neighbor hood in the early 1980’s.As a young African American it was my dream to live in such a neighborhood.All the while wondering how one who is of Color would be excepted.Now have said that the very first Black registered architect in the United States was from Lexington,who later practiced in New York.How ironic.
Interesting article, although I wouldn’t say that “Loudoun” and “Loudon” are two,“entirely” different spellings.
I enjoyed reading this so much. I have always wondered about the history of the castle in Castlewood Park.